Also known as "The Gay Brothers," this short film showed two men dancing together.
Best Picture at the Academy Awards and also depicted one of the earliest onscreen same-sex kisses.
Alfred Hitchcock's "Rope" tells the story of two heavily coded gay men who murder one of their classmates for the sheer thrill of it.
The well-known drama includes clear, coded gay subtext between troublemaking teen protagonist Jim Stark (James Dean) and his new classmate, Plato (Sal Mineo who later came out)
Robert Aldrich's film about the breakdown of an aging lesbian TV actress included a lesbian sex scene that broke down a major taboo associated with the Code's erasure of gay characters on screen.
John Director Waters, challenged the concept of camp by making deliberately filthy, transgressive films that let their queer, outcast characters gleefully behave badly.
William Friedkin's "Cruising" was reviled by many gay viewers, with one pamphlet saying that, in the film, "gay men are presented as one-dimensional sex-crazed lunatics."
Donna Deitch's "Desert Hearts" tracks the romance that develops between repressed English professor Vivian and free-spirited rancher's daughter Kay. It's regarded as the first mainstream lesbian film with a happy ending.
Jennie Livingston's acclaimed documentary chronicles New York City's Black and Latino Harlem drag ball scene of the late 1980s, bringing the vital subculture into the public eye in a major way.
Director Cheryl Dunye plays a Black lesbian filmmaker working on a project about "The Watermelon Woman," an obscure 1940s Black actress.
Hedwig Robinson, a gay East German rock singer develops a relationship with a younger man, Tommy, becoming his mentor and musical collaborator, only to have Tommy steal her music and become a rock star.
Ang Lee's film about the long-term secret romance between two cowboys (Jake Gyllenhaal and Heath Ledger) made history as one of the first big mainstream movies that centered on a gay love story. The film became a critical and box office success and won three Oscars, proving to Hollywood that LGBTQ+ stories had a place outside of strictly independent filmmaking.
Lesbian filmmaker Dee Rees arrived on the scene with her 2011 debut narrative feature film, "Pariah." The semi-autobiographical film centers on a Black Brooklyn lesbian's experiences with coming out and reckoning with her identity.
Moonlight tells the story of a young Black gay man named Chiron as he grows up and comes to terms with his identity. It made history as the first LGBTQ+ movie and the first movie with an all-Black cast to take home the top prize.
Director Wanuri Kahiu's "afro bubblegum" film "Rafiki," which tells a love story between two teenage girls, became the first Kenyan film to screen at the Cannes Film Festival.
The animated documentary "Flee" centers on a man identified as Amin Nawabi, a refugee from Afghanistan who left his country for a new life in Denmark, as he shares a painful hidden past ahead of marrying his soon-to-be husband.
In the early 1960s, Agnes Torres — a pseudonymized transgender woman — participated in sociologist Harold Garfinkel's gender health research at UCLA, making her the first subject of an in-depth discussion of transgender identity in sociology.
The Fairy Tales Queer Film Festival would like to take this opportunity to acknowledge that we operate on the traditional territories of the people of the Treaty 7 region in Southern Alberta, which includes the Blackfoot Confederacy (comprising the Siksika, Piikani, and Kainai First Nations), the Tsuut’ina First Nation, and the Stoney Nakoda (including the Chiniki, Bearspaw, and Wesley First Nations) this land is also home to the Métis Nation of Alberta, Region III. We acknowledge the traditional caregivers of this land and the importance of a commitment to continued decolonization of our work for the dignity and equity of all. We would like also recognize that Treaty 7 is about a relationship we all actively share in, as settlers and original peoples. A relationship needs to be open, honest, respectful, mutually beneficial and grounded in meaningful reconciliation.